Roger Simon makes an interesting point in comparing antiwar moves about Vietnam and Iraq.

Normally this would instill passion, or at least passionate ambition, but there is a subtler and more treacherous roadblock to authenticity in all this that is not frequently acknowledged. While the Vietnam and Iraq Wars are often equated by the liberal-left, the differences between the two are greater than the similarities, especially in the critical area of who is the adversary. For Vietnam: The evils of communism could be and were rationalized by the left as a plea for social equality in an economically unjust world. For Iraq: The evils of Islamofascism and just plain fascism are considerably harder, indeed almost impossible, to rationalize.

This problem is particularly true for Hollywood because the evils of Islamofascism – notably extreme misogyny and homophobia – are justifiably big no-nos to people in the Industry. In fact, they are close to the biggest no-nos of all for them in their daily lives. Who is worse than a sexist pig? Only a violent, murderous sexist pig who wants to take over the world. It then becomes a complex balancing act indeed to make a movie that ignores or downplays this in order to criticize the US as the larger villain. No one has been able to come close to pulling off this balancing act in a film. In fact, it may well be impossible because it is fundamentally dishonest.

Communism putatively was about the people. What is Islamic Fundamentalism about?

This entry was posted on Wednesday, November 28th, 2007 at 2:26 pm and is filed under Iraq, Movies. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.